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108/1999 12
November 1999
Major
ABA study into the impact of Australian content
rules
The
Australian Broadcasting Authority (ABA) today
announced that it will conduct a major study of
the wider cultural and industry impact of the
rules for Australian content on commercial
television. The study will be in partnership with
the Australian Key Centre for Cultural and Media
Policy and supported by a grant from the
Australian Research Council.
To be
undertaken in 2000, the study is titled The
Cultural and Industry Impact of Local Content
Regulation.
This
collaborative research project will be the first
investigation of the impact of the new
broadcasting content standard introduced in March
1999 to meet Australias obligations under
the Closer Economic Relations agreement with New
Zealand, said ABA Chairman, Professor David
Flint. It will inform the ABAs
planned 2001 review of the standard.
The
ABAs announcement comes at a time when the
Government is considering the recent report by
the Australian Film Commission and the Film
Finance Commission on the state of the film and
TV production industry. Debate about the place of
local content requirements in the changing
communications landscape has intensified
following the release of the draft report of the
Productivity Commission.
If
broadcasters are to continue to provide
Australian audiences with the local programs they
demand and appreciate, all players must come to
grips with the forces shaping the global
broadcasting environment. This study will provide
a good understanding of the complex interplay of
cultural and production issues, said
Professor Flint.
The
study will analyse the cultural objective of
content regulation policy, including an
assessment of overseas approaches and will track
the access and impact of New Zealand programs on
the Australian market.
Backgrounder
The
Broadcasting Services Act 1992 has as one of its
primary objects to promote the role of
broadcasting services in developing and
reflecting a sense of Australian identity,
character and cultural diversity.
The
ABA determined the new Australian content
standard in late February 1999 and it took effect
on 1 March 1999. The ABA announced at that time
that a formal review would take place by 1 July
2001.
The
ABA and the Queensland based Australian Key
Centre for Cultural and Media Policy have been
successful in their application for a grant to
the Australian Research Council (ARC) under the
strategic partnerships with industry scheme. The
scheme is designed to encourage strategic
alliances between higher education institutions
and industry to research specific problems facing
the Australian community.
The
full title of the collaborative study is
The Cultural and Industry Impact of Local
Content Regulation: The Broadcasting
Services (Australian Content) Standard
1999.
The
new Australian content standard now allows that
obligations to broadcast Australian programs may
be decreased by the extent to which New Zealand
programs, Australian/New Zealand programs and
Australian official co-productions are broadcast
by the commercial television licensee.
This
joint research project will provide the first
detailed analysis of content regulation and
cultural policy in a changing international
television production sector. It will be a
significant piece of research because local
content regulation plays a critical cultural and
industry role in preserving and developing
distinctively Australian audio-visual productions
and in developing a local industry in this area.
An
important aspect of the research is its
international dimension. Audio-visual services
and the place of cultural protectionist measures
such as content regulations will be central
elements in the World Trade Organisations
(WTO) negotiations, slated for 2000. The project
will make an innovative and substantial
contribution to the international study of the
achievement of cultural objectives through
content regulation.
The
research will ask the questions: where does
public policy need to go? How do different
regulations mesh with the realities of
internationalised television production? Do local
content provisions strike an appropriate balance
for audiences in terms of the production industry
needs for flexibility, the cultural objectives
and the need for international sales?
The
study will provide a series of briefings and
reports arising from the project, and a workshop
towards the end of the project to present the key
findings.
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